Mexican Painting
TOXINA TRANSGENICA
Javier Lopez Pastrana
Technique
Mixed on Canvas
Year
2002
Size
100x150cm/ 39x59in
Author Collection
Painting Inspiration and Concept
"TOXINA TRANSGÉNICA" by Javier Lopez Pastrana is a Mexican painting from the author's collection that explores the theme of genetic mutations created in laboratories. The composition features an organic form created using the quadrivertex technique, symbolizing various types of genetic alterations.
The painting specifically addresses the controversial topic of transgenic corn and its impact on natural evolution and the food chain. The artist highlights the ethical concerns surrounding the patenting of genes and the potential consequences of accidental use. The artwork aims to generate controversy and raise awareness about these issues.
The image portrays a vibrant and abstract representation of a microorganism in predominantly orange color. The use of iridescent colors and white bone tones adds depth and visual interest to the composition, enhancing the overall visual impact of the painting.
"TOXINA TRANSGÉNICA" prompts viewers to reflect on the complex issues surrounding genetic manipulation and its implications for the natural world. By exploring the controversy and ethical considerations associated with transgenic organisms, the artwork serves as a catalyst for dialogue and critical thinking.
As an abstract representation, the painting allows for multiple interpretations and perspectives. It invites viewers to engage with the subject matter, consider the impact of genetic mutations on ecosystems and the food chain, and question the ethical boundaries of scientific practices.
Through its thought-provoking content and vibrant visual aesthetic, "TOXINA TRANSGÉNICA" exemplifies Javier Lopez Pastrana's ability to address important societal issues through contemporary art.
Artist Quote
"Using the quadrivertex composition I invented an organic form that symbolizes any kind of genetic mutation created in the laboratory.
In the case that concerns me I mention for example; to the type of corn of natural evolution and to the type of transgenic origin and it is not only because it generates controversy about its nutritional uses, but also because it is created in a laboratory, so it applies a patent on the gene and since in many places it is already being used transgenic corn, it turns out that if any seed falls from a transport into another non-transgenic corn crop or is dispersed by a bird ingesting its seeds, then it can alter the genetic code of the natural corn, affecting the receiving farmer and, on top of that, it can reach to be sued by the owner of the patent for its use without permission.
An entire aspect lacking in ethics wherever it is observed: in the first case causing changes in the food chain and its ecosystems that have been natural adaptation for millennia and in the second the fortuitous fact of being sued for millions of dollars for the accidental use of a genetic patent.
The subject of plastic work is to generate controversy and try to raise awareness about it."